Diving deep enough to take in the full breadth of that influence can be daunting, though. In truth, few countries can claim to have had such a consistent influence over global moviemaking as France. But once you really start digging into the French film canon, you’ll discover it’s not all cigarettes, existentialism and jump cuts. Hell, for New Wave pioneers like Jean-Luc Godard and Agnès Varda, challenging – and sometimes angering – the audience was a point of pride. And well, yeah, a lot of it is exactly like that. It’ll be loaded with philosophical musings, insufferable characters and arty embellishments, and generally be impossible to follow. For many people, if a film was made in France, the assumption is that it will be impossible to access. It’s not simply a descriptor of the geographical origins of a particular movie, but often a euphemism for pretension. In popular culture, ‘French film’ is a loaded term.
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